32 Input Summing Mixer with Vol Control pot

32 Input Summing Mixer with Vol Control pot

32 IN: 8 TRS + 24 DSUB IN Balanced
4 OUT: 2 TRS + 2 XLR OUT Balanced (MainRec/Monitor)
1U Standard Rack 19″ unit
32 input by TRS/DSUB :
1-8 input TRS balanced (8 in)
9-32 input DB25 Tascam Standard Balanced (24in)
2x Stereo output by TRS/XLR balanced L/R (Main/Monitor)
4xStereo conversion to Mono by 2xSwitch = 8 mono
2xSTM ST1/ST2 (1-4 TRS IN)
2xSTM ST5/ST6 (9-12 DSUB IN)
Master Stereo to Mono (mix mono compatibility test)
Stereo input 1 L/R to Master outputs – Direct Monitoring purposes
21 step precision Attenuator range – 20dB
-10dB base raduction (+) -20dB atten range = -30dB
Laser engraved

AUX IN = Line Input / Summing mixer

DIR+BYPASS: Choose the desired input then route to the Master Out + Bypass = Mute all other summing inputs (input can be freely selected).

STM – Stereo to Mono Switch: Gives a stable Real Analog Mono Base for key elements like Kick, Bass, Main Vox, and Snare. Save digital channels and enhance separation with a simple switch, achieving a centered mono signal for hard-panned L/R inputs. Easily toggle for stereo instruments or maintain a fully stereo mix with panning options from your DAW.

Master Insert Send Return Switches: Enables sending the master stereo L/R signal to external processors like EQ, compressor, or limiter, or a Preamp like Focusrite ISA and then returning it to the master output for printing or recording. The ‘Master SND/RET’ is placed before the master out, with 100% of the signal routed to the send.

The system requires two stereo switches for signal isolation and control: The first switch enables sending to external processors (routes the master to SND). The second switch enables the return from external processors (routes the return to the master out).

Variable Headroom Gain Switch: It provides a wide gain-volume range for different applications, offers gain stages between various microphone preamps or DAW interface inputs, and accommodates various source inputs, such as synthesizers or DAWs. Placed after passive SUM BUS (passive mixer) determines main out (total) gain reduction – for different (pre amps) applications – gain stage – volume range. You have a great opportunity to experiment with different gain reductions and determine what sounds better for your mix: 1. Whether it’s with fewer input signals and more amplification. 2. Or the other way around, with more signals and less amplification. Benefits: You can overdrive the summing inputs with different gains to achieve more saturation and warm harmonics.

Frequency Response (Passive Section) +0, -0.1dB from 10Hz to 30kHz
Maximum level > +28dBu • Noise floor < -94.5dBu 22Hz-22kHz bandwidth
THD+N < 0.004% • IMD < 0.004%
Crosstalk rejection (Passive Section) > 110dB

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Build time: 15 Working Weekdays after cleared payment

Selected Studio grade VISHAY DALE military metal-film resistors
In/Out: Stereo Balanced Discrete path
Insertion input resistance: -15dB / -20dB / -25dB (order)
Output impedance 600 -1k ohms balanced
Frequency response: 0-500Khz
Crosstalk 1Khz: -95dB
Signal to Noise rate (SNR): -110dB
TRS wiring: (Tip:HOT/,Ring:COLD/Sleeve:GROUND)
Pure hand made! Hand wired and tested point-to-point!
Laser engraved massive aluminium alloy box

Because of the unique design of the summing mixer, it is compatible with various studio outboards, such as the Manley VOXBOX Tube Channel Strip, Neve 1073SPX Microphone Preamp and EQ, D. W. Fearn VT Microphone Preamp, Grace Design m501 500 Series Microphone Preamp, Warm Audio WA-MPX 1-channel Tube Mic / Line / Instrument Preamp, Rupert Neve Designs Newton Channel Strip, ART TubeOpto 8, API 3124V, UK Sound 1173, Avalon VT-737, SSL Alpha VHD-Pre, Neve 1073, Focusrite ISA One, dbx 286s, Golden Age Project Pre, and PreSonus TubePre.