8 Ch Input Passive Summing Mixer – LittleOne Wide DSUB TRS XLR – STM + Variable Headroom Switch
229.00 € – 259.00 €
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Upgrade your DAW Interface’s Sound Card with an Analog Summing Mixer and get the warm analog-console-like sound. Stereo Balanced studio grade high quality warm signal path.
STM – Stereo to Mono Switch: It provides an extra stable Real Analog Mono Base for your mix (on monos like Kick/Bass/MainVox/Snare and so on), saving precious digital-to-analog (DA) channels (so you don’t waste stereo L/R for a mono instrument), and offers superior separation and 3D depth for the rest of your stereo instruments. This feature turns L/R inputs ‘COMBINED’ (two hard-panned L/R inputs) into an absolutely centered mono signal (1 x stereo to 2 mono). For example, ‘SNARE’ on channel 1 (left), ‘KICK’ on channel 2 (right). Mono instruments in the DAW sequencer (Steinberg cubase, pro tools, flstudio, reaper, logic pro, Ableton etc.) should place the kick hard left, the bass hard on the right, and so on. Stereo instruments: If you don’t use mono channels in your mix, simply turn down all the mono switches, and you’ll have a fully stereo analog summing mixer with panning options available from the DAW.
In 1: Mono Kick
In 2: Mono Bass
In 3/4: Snare, hats some percs > stereo
In 5/6: Percs\toms\synth blips etc. > stereo
In 7/8: Synths\Effects\pads\Guitars\
Variable Headroom Gain Switch: It provides a wide gain-volume range for different applications, offers gain stages between various microphone preamps or DAW interface inputs, and accommodates various source inputs, such as synthesizers or DAWs. Placed after passive SUM BUS (passive mixer) determines main out (total) gain reduction – for different (pre amps) applications – gain stage – volume range. You have a great opportunity to experiment with different gain reductions and determine what sounds better for your mix: 1. Whether it’s with fewer input signals and more amplification. 2. Or the other way around, with more signals and less amplification. Benefits: You can overdrive the summing inputs with different gains to achieve more saturation and warm harmonics.
You can get as many channels and options as you want, so let’s build your gear!
Build time: 10 Working Weekdays after cleared payment
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Selected Studio grade VISHAY DALE military metal-film resistors
In/Out: Stereo Balanced Discrete path
Insertion input resistance: -15dB / -20dB / -25dB (order)
Output impedance 600 -1k ohms balanced
Frequency response: 0-500Khz
Crosstalk 1Khz: -95dB
Signal to Noise rate (SNR): -110dB
TRS wiring: (Tip:HOT/,Ring:COLD/Sleeve:
Pure hand made! Hand wired and tested point-to-point!
Laser engraved massive aluminium alloy box
DSUB IN – TRS OUT, DSUB IN – XLR OUT, TRS IN – TRS OUT, TRS IN – XLR OUT
UAD Apollo, Apogee, Arturia, Behringer, Focusrite, M-Audio, Motu, PreSonus, Prism, RME, Roland, SSL, Steinberg, Tascam, OTHER let me knoww
|VARIABLE HEADROOM GAIN SWITCH||
-6/-16dB, -10/-20dB, -15/-25dB, -20/-30dB
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