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16-ch 2-BUS Summing Mixer – 4 x Master Insert

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16 in Dual Sum Bus mixer with select out switc per channel similar like Neve 5059 – Motu 24ao will go to a Burl B32

ANY CONNECTOR TYPE CAN BE ORDERED IN ANY SEQUENCE AND VARIATION

ASK TO BUILD YOURS!

16 Input DSUB to OUT A or OUT B (2SUM BUS) with 4 x CH INSERT, “similar like Neve 5059
Customer: I am looking for a product that works like the Neve 5059 summing mixer: 4 ch Insert 4 x Mono switch for SUMA / and SUMB / Golden Age Project Pre / PreSonus TubePre

I am coming out of a Motu 24Ao:
– 8 outs of the Motu 24ao will go to a Burl B32
– the other 16 outs will go into this new box you make
– It will have 2 separate stereo outs
– Each input channel can select whether you want to go to stereo outs A or Stereo outs B

AUX IN = Line Input / Summing mixer

STM – Stereo to Mono Switch: Gives a stable Real Analog Mono Base for key elements like Kick, Bass, Main Vox, and Snare. Save digital channels and enhance separation with a simple switch, achieving a centered mono signal for hard-panned L/R inputs. Easily toggle for stereo instruments or maintain a fully stereo mix with panning options from your DAW.

Master Insert Send Return Switches: Enables sending the master stereo L/R signal to external processors like EQ, compressor, or limiter, or a Preamp like Focusrite ISA and then returning it to the master output for printing or recording. The ‘Master SND/RET’ is placed before the master out, with 100% of the signal routed to the send.

The system requires two stereo switches for signal isolation and control: The first switch enables sending to external processors (routes the master to SND). The second switch enables the return from external processors (routes the return to the master out).

Variable Headroom Gain Switch: It provides a wide gain-volume range for different applications, offers gain stages between various microphone preamps or DAW interface inputs, and accommodates various source inputs, such as synthesizers or DAWs. Placed after passive SUM BUS (passive mixer) determines main out (total) gain reduction – for different (pre amps) applications – gain stage – volume range. You have a great opportunity to experiment with different gain reductions and determine what sounds better for your mix: 1. Whether it’s with fewer input signals and more amplification. 2. Or the other way around, with more signals and less amplification. Benefits: You can overdrive the summing inputs with different gains to achieve more saturation and warm harmonics.

Frequency Response (Passive Section) +0, -0.1dB from 10Hz to 30kHz
Maximum level > +28dBu • Noise floor < -94.5dBu 22Hz-22kHz bandwidth
THD+N < 0.004% • IMD < 0.004%
Crosstalk rejection (Passive Section) > 110dB

Do not find your desired gear?  Ask to build Yours!

You can get as many channels and options as you want, so let’s build your gear!

Build time: 15 Working Weekdays after cleared payment

Selected Studio grade VISHAY DALE military metal-film resistors
In/Out: Stereo Balanced Discrete path
Insertion input resistance: -15dB / -20dB / -25dB (order)
Output impedance 600 -1k ohms balanced
Frequency response: 0-500Khz
Crosstalk 1Khz: -95dB
Signal to Noise rate (SNR): -110dB
TRS wiring: (Tip:HOT/,Ring:COLD/Sleeve:GROUND)
Pure hand made! Hand wired and tested point-to-point!
Laser engraved massive aluminium alloy box

8-Channel Analog Summing Mixer with insert monitor gain control

SOUND CARD?

UAD Apollo, Apogee, Arturia, Antelope, Behringer, Focusrite, M-Audio, Motu, PreSonus, Prism, RME, Roland, SSL, Steinberg, Tascam, External Preamp – let me know, OTHER – let me know

VARIABLE HEADROOM GAIN SWITCH

-6/-16dB, -10/-20dB, -15/-25dB, -20/-30dB

OUTBOARD HARDWARE INSERT

PREAMP – type?, COMPRESSOR – type?, LIMITER – type?, CHANNEL STRIP – type?, EQUALIZER – type?, EFFECT PROCESSOR – type?, OTHER – let me know

CUSTOM NAME?

YES (let me know), NO THANKS

BUILD TIME

15 WORKING DAYS

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