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12-Input TRS – XLR Analog Summing Mixer for RME Fireface 800 – Stereo-Mono Synths

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ANY I/O and CONNECTOR TYPE CAN BE ORDERED IN ANY SEQUENCE AND VARIATION

ASK TO BUILD YOURS!

12-Input TRS In – XLR Out Analog Summing Mixer designed for RME Fireface 800 – Stereo-Mono Synths – Dual stereo discrete signal path, fully balanced from input to output!

Customer Setup:
Synths —> summing mixer —> 2x tab v375 pre amps (danner) —> RME fireface 800.

Matrix1000 – mono
Tx7 – mono
Volca fm2 – mono
Mks-30 – stereo
one more stereo synth and 2 more mono Synths

MONO PER Channel switches: It provides an extra stable real analog mono base for your mix (mono Kick/Bass), saving precious digital-to-analog (DA) channels (so you don’t waste stereo L/R on mono instruments), and offers superior separation and 3D depth for additional stereo instrument tracks.

With this feature, you can choose to convert ‘SEPARATELY’ by selecting either the hard-panned Left or hard-panned Right input signals to the center position, or you can leave them as hard-panned L or R (stereo).

Variable Headroom Gain Switch: It provides a wide gain-volume range for different applications, offers gain stages between various microphone preamps or DAW interface inputs, and accommodates various source inputs, such as synthesizers or DAWs. Placed after passive SUM BUS (passive mixer) determines main out (total) gain reduction – for different (pre amps) applications – gain stage – volume range. You have a great opportunity to experiment with different gain reductions and determine what sounds better for your mix: 1. Whether it’s with fewer input signals and more amplification. 2. Or the other way around, with more signals and less amplification. Benefits: You can overdrive the summing inputs with different gains to achieve more saturation and warm harmonics.

Frequency Response (Passive Section) +0, -0.1dB from 10Hz to 30kHz
Maximum level > +28dBu • Noise floor < -94.5dBu 22Hz-22kHz bandwidth
THD+N < 0.004% • IMD < 0.004%
Crosstalk rejection (Passive Section) > 110dB

Do not find your desired gear?  Ask to build Yours!

You can get as many channels and options as you want, so let’s build your gear!

Build time: 15 Working Weekdays after cleared payment

Selected Studio grade VISHAY DALE military metal-film resistors
In/Out: Stereo Balanced Discrete path
Insertion input resistance: -15dB / -20dB / -25dB (order)
Output impedance 600 -1k ohms balanced
Frequency response: 0-500Khz
Crosstalk 1Khz: -95dB
Signal to Noise rate (SNR): -110dB
TRS wiring: (Tip:HOT/,Ring:COLD/Sleeve:GROUND)
Pure hand made! Hand wired and tested point-to-point!
Laser engraved massive aluminium alloy box

Summing Mixer with insert designed for Antelope

SOUND CARD?

UAD Apollo, Apogee, Arturia, Antelope, Behringer, Focusrite, M-Audio, Motu, PreSonus, Prism, RME, Roland, SSL, Steinberg, Tascam, External Preamp – let me know, OTHER – let me know

VARIABLE HEADROOM GAIN SWITCH

-6/-16dB, -10/-20dB, -15/-25dB, -20/-30dB

OUTBOARD HARDWARE INSERT

PREAMP – type?, COMPRESSOR – type?, LIMITER – type?, CHANNEL STRIP – type?, EQUALIZER – type?, EFFECT PROCESSOR – type?, OTHER – let me know

CUSTOM NAME?

YES (let me know), NO THANKS

BUILD TIME

15 WORKING DAYS

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