LittleOne Custom Analog Stereo Studio Mixers

Passive Stereo Balanced Summing Mixer Without Compromises

4 ch stereo studio mini mixer trs input passive

4 – 8 Channel

mini summing mixer wide

8 – 16 Channel

Analog passive mini small Summing mixer box for Cakewalk by BandLab volume control

16 – 24 Channel

rack passive analog summing mixer

8 – 64 Ch Rackmount

Mix in Analog and explore your DAW Interface analog capabilities. Discover the analog potential within your DAW interface with Desktop Analog Summing Box Mixer for authentic analog-console sound! 


Designed for all studio standard sound card interface like M-Audio – Audient – RME – Apogee – Behringer – Tascam – Roland – Prism – Presonus – Focusrite – Motu – Antelope or for more

Can’t find your gear? Drop me a mail and feel free to ask to build yours!

Does analog summing make a difference?   Here is the answer:  read more…

How to connect your summing to the DAW ?

You get the best sonically matching summing mixer designed for Your studio (DAW Interface) working range! (let me know about your DAW interface soundcard type / brand)

Summing mixer for all existing DAW interfaces without compromises, here are a few: Passive Stereo Balanced Summing Mixer Box for M-Audio – Audient – RME – Apogee – Behringer – Tascam – Roland – Prism – Presonus – Focusrite – Motu – Antelope.

Send me your desired summing configuration, then I make the best solution for your studio! You can get an many channels and options you want. Large and Wide Configuration Flexibility. Pure hand made unique gears since 2010′

Breathe more life into your digital mixes –  add warmth and analog vibe read more…


Customer says:

“Cool passive summing noiseless, infinite headroom and no power required. The best way to mix outside the computer, enjoy clip free summing and then use the different mic pres of your choice to send your mix back to your DAW. “

You can order different gain reduction mixers as: -10dB, -15dB, -20dB, -25dB or more (let me know about your DAW mic preamp gain range)

Summing mixer for Cakewalk by BandLab, Bitwig Studio 5, Harrison Mixbus32C, Audacity, Digital Performer, FL Studio 21, Serato Studio, Logic Pro, Garage Band, Acoustica Mixcraft 9 Recording Studio, Steinberg Cubase Pro 12, Cockos Reaper, Presonus Studio One 6, Ableton Live 11, Fruity Loops, Bitwig Studio, Akai MPC Beats, Apple GarageBand, Propellerhead Reason, Digidesign Avid Pro Tools.


YOUTUBE TUTORIAL about ANALOG HARMONICS

Analog Passive Summing Mixer – Does this box makes any difference??!!
https://youtu.be/-gWsEQdClPg
Analog Summing – Little One 16 Video II
https://youtu.be/y8yi0YLvATI
Vintage Maker – Little one 8 | Summing box | Review
https://youtu.be/mhQ3wEMLonY
Vintage Maker – Little one 8 | Affordable Summing Mixer | Studio One 4
https://youtu.be/RNbVIWARq00

Customer review Little One 16 passive summing

Just want to share my first impression of Little One 16 passive summing box with 2 x stereo to mono options.

I am just plain knocked. If your tracking chain is good but mixes sound muddy, boxy, thin and narrow compared to big production hits that’s the remedy. Like everyone else i’ve noticed that mix is much clearer and wider, instruments more separated and focused. I also have noticed that i’m using less outboard and plugins. Seriously. If you choosing between good compressors or eq’s (good means ADL, SSL etc) vs good summing box (you would need audio interface to support that too) without hesitation go for analog summing – you won’t be dissapointed if you want your mixes sound 3d. Also box is quiet as a mouse. I was little afraid to pick some noise on the way. But no ! – it’s just way superior to digital bouncing and that’s all!

Just a quick note to say how pleased I am with this summing mixer.

I’ve summed a piano session and a jazz session and all I can say is that it makes things sound finalised or complete! Its hard to put my finger on it. It’s like a sonic glue! There is definitely a stability that it adds. Sounds like a record! All the best! Alex

Gearslutz – Gearspace review

A few years ago, I used to own a Dangerous D-Box with 8 channels of summing mixer and monitor control.
It added depth and detail to my mixes, which I liked. However, when I shifted away from full-time audio production, I ended up selling it. Recently, I got back into mixing and started searching for an affordable summing mixer. I no longer have a big budget for studio gear, but I still had my quality monitors and interface. I came across Paul’s Vintage Maker website, where I read about passive summing.

I decided to try the LittleOne 16. The ordering process was smooth, with Paul providing all the necessary information promptly. He built the unit and sent it within two weeks.
Once I connected the summing mixer to my setup, I was immediately pleased. My mix now had that extra roundness and depth I had been missing. I could hear more detail in things like reverb tails, which helped me finalize the mix. The best part about the LittleOne 16 is that I can run the output through different preamps to get various colorations.

The Dangerous D-Box summing mixer always felt a bit too silky and slick for my taste.
I prefer a more low-fi or 70’s sound, so it’s fantastic to choose the coloration I want for my summed mix. I have nothing against Dangerous; their products are of high quality, and the D-Box monitoring was top-notch. It’s just that the summing output wasn’t entirely to my taste.
If you have a good stereo preamp to boost the gain, then consider getting a LittleOne. You’ll be pleased with the results. My current production tools include Pro Tools, a UA Apollo Interface, Focal Speakers, and some high-quality preamps. I definitely notice a positive difference.

I bought the little one 10 from vintage maker it has 4 switches from stereo to mono
on one for 1/2 ch and 3/4 ch and 9/10 ch which is for monitor and one switch for 1/8 ch I have it hook up to my PreSonus Studio 192 and wow excellent sound get that wide loudness and clearer sound im really impressed with my decision on getting this box and for low price cant beat that no where if u reading this thank u paul ps RBT (read more on gearslutz…)

Best audio interface sound card for home and pro studio analog mixer
For semi-professionals, the recommended audio interface is the Behringer U-Phoria UMC404HD.
Professionals can benefit from the PreSonus Studio 1824c, an excellent choice for their audio interface needs.
If you’re setting up a home studio, consider the Audient iD4 MK2 as the best audio interface for your setup.
Music producers should check out the Universal Audio Apollo Twin, a top choice for their audio interface requirements.
DJs looking for the perfect audio interface should consider the GoXLR.
For recording bands, the Focusrite Clarett+ 8pre is an ideal audio interface solution.
Guitarists can enhance their sound with the Ik Multimedia Axe I/O, the best audio interface for their needs.
Drummers can capture their beats with the Focusrite Scarlett 18i20, an excellent audio interface option.
Recording vocals is a breeze with the RME Babyface Pro Fs, the best audio interface for this purpose.
Rappers can elevate their recordings with the Native Instruments Komplete Audio 6, the ideal audio interface for their work.
If you’re on a budget, the Behringer U-PHORIA UMC22 is the best audio interface under £100.
For those with a bit more to spend, the Universal Audio Apollo Solo is the best audio interface under £500.
For a high-end solution, the RME Fireface UFX+ stands out as the top choice.
Live streamers can rely on the Wave XLR as the best audio interface for their needs.
For uncompromising audio quality, the Tascam US-16×08 is the best audio interface you can get.
Musicians on the move will appreciate the portability of the Apogee Jam+ as the best portable audio interface.
In need of an 8-channel rack-mounted interface? The Antelope Discrete 8 Pro is the answer.
The Focusrite 2i2 Studio bundle is the best choice for an all-in-one audio interface package.
For those working with surround sound, the RME Fireface UCX II is the best audio interface for your needs.
Podcasters can count on the Apogee Duet 3 as the best audio interface for their podcasting setups.
Beginners in the world of audio can start with confidence using the Focusrite Scarlett 2i2 as their best audio interface.
Looking for the best value? The Focusrite Clarett 4Pre offers great performance and features for your money.
Analog Summierer und Mischer
Solid state komplett analog und symmetrisch aufgebauter Signalpfad