8-Input Summing Mixer – DSUB TRS or XLR (Select Connection) with 2x Stereo to 4, or 4x Mono Switch

Boost your Digital Audio Workstation (DAW) Interface by integrating a genuine Analog Summing Mixer, getting a rich 3D analog-console-esque audio experience. Improve your studio setup with a top-tier, balanced, high-fidelity signal path for warmth and studio-grade quality.

You can get as many channels and options as you want, so let’s build your gear!

Build time: 10 Working Weekdays after cleared payment

Analog Studio Summing Mixer – Ideal for linking synthesizers, samplers, and rhythm boxes and routing the mix to a preamplifier for master processing. Compatible with UAD Apollo, Focusrite, Motu, M-Audio, Presonus, Behringer, Roland, Tascam, RME, SSL, Apogee, and Arturia MiniFuse or other audio studio interface sound cards (let me know yours)

This summing box mixer unit is suitable for connecting synthesizers, samplers, and rhythm boxes, and then routing the combined output to a preamplifier for master processing.

STM – Stereo to Mono Switch: It provides an extra stable Real Analog Mono Base for your mix (on monos like Kick/Bass/MainVox/Snare and so on), saving precious digital-to-analog (DA) channels (so you don’t waste stereo L/R for a mono instrument), and offers superior separation and 3D depth for the rest of your stereo instruments. The Mono Switch turns L/R inputs ‘COMBINED’ (two hard-panned L/R inputs) into an absolutely centered mono signal (1 x stereo to 2 mono). For example, ‘SNARE’ on channel 1 (left), ‘KICK’ on channel 2 (right). Mono instruments in the DAW sequencer (Steinberg cubase, pro tools, flstudio, reaper, logic pro, Ableton etc.) should place the kick hard left, the bass hard on the right, and so on. Stereo instruments: If you don’t use mono channels in your mix, simply turn down all the mono switches, and you’ll have a fully stereo analog summing mixer with panning options available from the DAW.

MONO PER Channel switches: It provides an extra stable real analog mono base for your mix (mono Kick/Bass), saving precious digital-to-analog (DA) channels (so you don’t waste stereo L/R on mono instruments), and offers superior separation and 3D depth for additional stereo instrument tracks. With this feature, you can choose to convert ‘SEPARATELY’ by selecting either the Hard Panned Left or Hard Panned Right input signals to the center position, or you can leave them as hard panned L or R (stereo)