4 Ch Analog Summing Mixer – LittleOne XLR – Variable Headroom Gain Switch
179.00 €
Can’t find the right product? Tell me what you need – I’ll build it for you!
Excellent Headroom – SNR! Crystal Clear Real Analog Sound!
Upgrade your DAW Interface’s Sound Card with 4 Ch Analog Summing Mixer – LittleOne XLR and get the warm analog-console-like sound. Stereo Balanced studio grade high quality warm signal path
Build time: 10 Working Weekdays after cleared payment
Variable Headroom Gain Switch: It provides a wide gain-volume range for different applications, offers gain stages between various microphone preamps or DAW interface inputs, and accommodates various source inputs, such as synthesizers or DAWs. Placed after passive SUM BUS (passive mixer) determines main out (total) gain reduction – for different (pre amps) applications – gain stage – volume range. You have a great opportunity to experiment with different gain reductions and determine what sounds better for your mix: 1. Whether it’s with fewer input signals and more amplification. 2.Or the other way around, with more signals and less amplification. Benefits: You can overdrive the summing inputs with different gains to achieve more saturation and warm harmonics.
Do not find your summing mixer? Tell me your DAW Interface Type! Do not find your Gear? Don’t worry! Just inform me about your requirements!
Selected Studio grade VISHAY DALE military metal-film resistors
In/Out: Stereo Balanced Discrete path
Insertion input resistance: -15dB / -20dB / -25dB (order)
Output impedance 600 -1k ohms balanced
Frequency response: 0-500Khz
Crosstalk 1Khz: -95dB
Signal to Noise rate (SNR): -110dB
TRS wiring: (Tip:HOT/,Ring:COLD/Sleeve:
Pure hand made! Hand wired and tested point-to-point!
Laser engraved massive aluminium alloy box
This is a top-tier analog studio device designed to deliver crystal-clear, professional-grade sound. Equipped with Selected Studio-grade VISHAY DALE military metal-film resistors, it ensures precise, transparent audio fidelity. The stereo balanced discrete signal path is built for high-quality in/out routing.
Key specifications include adjustable insertion input resistance options (-15dB, -20dB, -25dB), an output impedance range of 600 to 1k ohms balanced, and an impressive frequency response extending from 0 to 500kHz. It features a crosstalk level of -95dB at 1kHz and a signal-to-noise ratio (SNR) of -110dB, highlighting its superior noise suppression capabilities.
The TRS wiring configuration (Tip: HOT, Ring: COLD, Sleeve: GROUND) supports secure, reliable connections. Each unit is pure hand-made, with meticulous point-to-point hand-wiring and testing, ensuring consistent quality and durability. The robust, laser-engraved aluminum alloy casing underscores its rugged design, making it a dependable choice for professional studio environments.
| SOUND CARD? | UAD Apollo, Apogee, Arturia, Behringer, Focusrite, M-Audio, Motu, PreSonus, Prism, RME, Roland, SSL, Steinberg, Tascam, OTHER let me know |
|---|---|
| VARIABLE HEADROOM GAIN SWITCH | -6/-16dB, -10/-20dB, -15/-25dB, -20/-30dB |
| CUSTOM NAME? | YES, NO THANKS |
| BUILD TIME | 10 DAYS |
1 review for 4 Ch Analog Summing Mixer – LittleOne XLR – Variable Headroom Gain Switch
5.00 out of 5 stars
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andre.jr. –
It’s clean, tight, and adds that rich warmth without any unwanted noise.
this little box is a total gem. Super compact but gives you that big analog sound. The XLR connections are rock solid, and the variable headroom gain switch is perfect for dialing in the exact vibe you want—whether you need more headroom or just a tighter mix.
It’s smooth, punchy, and gives everything that nice warmth without any of the noise. If you're looking to add some analog goodness to your mixes without taking up a ton of space, this is perfect. Simple, effective, and delivers exactly what you need.