8 Input Synth DAW Analog Summing Mixer – TRS XLR DSUB (select) with 4xSTM – Variable Headroom Switch box

8 input / 2  output Analog Dual Stereo balannced summing mixer Variable headroom (select value or ask) switch and 4 x Stereo to 8 Mono switch for mono instruments Moog Subsequent 37, Dave Smith Instruments Prophet-6, Korg Minilogue Electron

Input: 16 ch DSUB/DB25 or TRS – SELECT
Output: 2 x TRS or XLR L/R – SELECT
-10/-20dB vari gain headroom switch – SELECT
4 x Stereo to 8 Mono switch

STM – Stereo to Mono Switch: It provides an extra stable Real Analog Mono Base for your mix (on monos like Kick/Bass/MainVox/Snare and so on), saving precious digital-to-analog (DA) channels (so you don’t waste stereo L/R for a mono instrument), and offers superior separation and 3D depth for the rest of your stereo instruments. This feature turns L/R inputs ‘COMBINED’ (two hard-panned L/R inputs) into an absolutely centered mono signal (1 x stereo to 2 mono). For example, ‘SNARE’ on channel 1 (left), ‘KICK’ on channel 2 (right). Mono instruments in the DAW sequencer (Steinberg cubase, pro tools, flstudio, reaper, logic pro, Ableton etc.) should place the kick hard left, the bass hard on the right, and so on. Stereo instruments: If you don’t use mono channels in your mix, simply turn down all the mono switches, and you’ll have a fully stereo analog summing mixer with panning options available from the DAW.

Variable Headroom Gain Switch: It provides a wide gain-volume range for different applications, offers gain stages between various microphone preamps or DAW interface inputs, and accommodates various source inputs, such as synthesizers or DAWs. Placed after passive SUM BUS (passive mixer) determines main out (total) gain reduction – for different (pre amps) applications – gain stage – volume range. You have a great opportunity to experiment with different gain reductions and determine what sounds better for your mix: 1. Whether it’s with fewer input signals and more amplification. 2. Or the other way around, with more signals and less amplification. Benefits: You can overdrive the summing inputs with different gains to achieve more saturation and warm harmonic

Synth DAW Analog Summing Mixer box for Studio mixing recording Cubase / Pro Tools/Ableton Live, Tascam Us-16×08, RME Fireface UCX connecting synthesizers, samplers, and rhythm boxes, and then routing the combined output to a preamplifier for master processing. Moog Subsequent 37, Dave Smith Instruments Prophet-6, Korg Minilogue XD Module, Arturia MiniBrute 2, Behringer Model D, Sequential Prophet-5 (Reissue), Dreadbox Erebus V3, ARP Odyssey FSQ, Make Noise 0-Coast, Elektron Analog Four MKII