Contact Can’t find what you need? Let’s build your custom gear together – message me at [email protected]!

10-Channel Input Summing Box Mixer – TRS – Monitor – Mono – Variable Headroom Gain Switch

299.00 

Pro Tip: Push the instruments into the summing mixer at a higher level until you start hearing a subtle pleasant harmonic distortion. This will add warmth, depth, and better separation to your mix, giving it a more professional, polished sound—just like a finished record. The Headroom provides a safe place for transients, ensuring wide separation, clarity and punch in your mix.

Can’t find the right product? Tell me what you need – I’ll build it for you!

Please Select All Options!

Upgrade your DAW Interface’s Sound Card with 10-Channel Summing Box Mixer and get the warm analog-console-like sound. Stereo Balanced studio grade high quality warm signal path.

STM – Stereo or Mono Input Switch: It provides an extra stable Real Analog Mono Base for your mix (on monos like Kick/Bass/MainVox/Snare and so on), saving precious digital-to-analog (DA) channels (so you don’t waste stereo L/R for a mono instrument), and offers superior separation and 3D depth for the rest of your stereo instruments. This feature turns L/R inputs ‘COMBINED’ (two hard-panned L/R inputs) into an absolutely centered mono signal (1 x stereo to 2 mono). For example, ‘SNARE’ on channel 1 (left), ‘KICK’ on channel 2 (right). Mono instruments in the DAW sequencer (Steinberg cubase, pro tools, flstudio, reaper, logic pro, Ableton etc.) should place the kick hard left, the bass hard on the right, and so on. Stereo instruments: If you don’t use mono channels in your mix, simply turn down all the mono switches, and you’ll have a fully stereo analog summing mixer with panning options available from the DAW.

Mono Mode Routing from DAW:

  • In 1: Mono Kick

  • In 2: Mono Bass

  • In 3/4: Snare, hi-hats, some percussion → Stereo

  • In 5/6: Percussion, toms, synth blips, etc. → Stereo

  • In 7/8: Synths, effects, pads, guitars, piano, vocals, etc. → Stereo
    Panning from DAW is available for 3/4, 5/6, and 7/8 stereo inputs.

Stereo Mode Routing from DAW:

  • In 1/2: Main Stereo tracks → Stereo

  • In 3/4: Kick, Snare, hi-hats, some percussion → Stereo

  • In 5/6: Percussion, toms, synth blips, etc. → Stereo

  • In 7/8: Synths, effects, pads, guitars, piano, vocals, etc. → Stereo
    Panning from DAW is available for all stereo inputs.

Variable Headroom Gain Switch: It provides a wide gain-volume range for different applications, offers gain stages between various microphone preamps or DAW interface inputs, and accommodates various source inputs, such as synthesizers or DAWs. Placed after passive SUM BUS (passive mixer) determines main out (total) gain reduction – for different (pre amps) applications – gain stage – volume range. You have a great opportunity to experiment with different gain reductions and determine what sounds better for your mix: 1. Whether it’s with fewer input signals and more amplification. 2. Or the other way around, with more signals and less amplification. Benefits: You can overdrive the summing inputs with different gains to achieve more saturation and warm harmonics.

Input to Output or Input to Mix Switch  – Select your desired stereo input from the drop-down menu.
Enables direct monitoring from DAW Interface by routing input either to the mixer or straight to the master outputs. No need to unplug monitor cables – keep your interface connected to the summing mixer at all times. You don’t have to unplug your interface monitor in everyday work; you can keep it connected at all times to the summing mixer.

  • Down Position: Input signal is routed to the summing mixer for analog mixing (standard summing operation).

  • Up Position: Input signal is sent directly to the master outputs at full volume.

Important:

  • the other summing channels remain active. These channels need to be muted in the DAW.

You can get as many channels and options as you want, so let’s build your gear!

Build time: 10 Working Weekdays after cleared payment

Do not find your summing mixer? Tell me your DAW Interface Type! Do not find your Gear? Don’t worry! Just inform me about your requirements!

Selected Studio grade VISHAY DALE military metal-film resistors
In/Out: Stereo Balanced Discrete path
Insertion input resistance: -15dB / -20dB / -25dB (order)
Output impedance 600 -1k ohms balanced
Frequency response: 0-500Khz
Crosstalk 1Khz: -95dB
Signal to Noise rate (SNR): -110dB
TRS wiring: (Tip:HOT/,Ring:COLD/Sleeve:GROUND)
Pure hand made! Hand wired and tested point-to-point!
Laser engraved massive aluminium alloy box

Summing Box for UAD Apollo X6 – 8P Focusrite, Motu, M-Audio, Presonus, Behringer, Roland, Tascam, RME, SSL, Apogee, Arturia MiniFuse or other (let me know) LittleOne Wide 8×4 TRS/TRS summing mixer designed for UAD Apollo x6 6x (-20dB) Unison Preamps as well as Motu, Focusrite, Presonus, Prism, Roland, Tascam US, RME Firewire, and USB Antelope Orion interfaces. Feel free to request your summing for different interface type, more inputs/outputs, or connectors like DSUB or XLR!

SOUND CARD?

UAD Apollo, Antelope, Apogee, Arturia, Behringer, Focusrite, M-Audio, Motu, PreSonus, Prism, RME, Roland, SSL, Steinberg, Tascam, OTHER let me knoww

VARIABLE HEADROOM GAIN SWITCH

-6/-16dB, -10/-20dB, -15/-25dB, -20/-30dB

SELECT STEREO INPUT FOR MIX OR DIRECT OUT (SWITCH)

1/2, 3/4, 5/6, 7/8, 9/10

CUSTOM NAME?

YES, NO THANKS

BUILD TIME

10 DAYS

Reviews

There are no reviews yet.

Add a review

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

You may also like…