8 Ch Summing Box – Variable Headroom + Mono Switch – Select DSUB TRS XLR

Upgrade your DAW Interface’s Sound Card with 8 Ch Input Passive Summing Mixer and get the warm analog-console-like sound. Stereo Balanced studio grade high quality warm signal path.

STM – Stereo to Mono Switch: It provides an extra stable Real Analog Mono Base for your mix (on monos like Kick/Bass/MainVox/Snare and so on), saving precious digital-to-analog (DA) channels (so you don’t waste stereo L/R for a mono instrument), and offers superior separation and 3D depth for the rest of your stereo instruments. This feature turns L/R inputs ‘COMBINED’ (two hard-panned L/R inputs) into an absolutely centered mono signal (1 x stereo to 2 mono). For example, ‘SNARE’ on channel 1 (left), ‘KICK’ on channel 2 (right). Mono instruments in the DAW sequencer (Steinberg cubase, pro tools, flstudio, reaper, logic pro, Ableton etc.) should place the kick hard left, the bass hard on the right, and so on. Stereo instruments: If you don’t use mono channels in your mix, simply turn down all the mono switches, and you’ll have a fully stereo analog summing mixer with panning options available from the DAW.

In 1: Mono Kick
In 2: Mono Bass
In 3/4: Snare, hats some percs > stereo
In 5/6: Percs\toms\synth blips etc. > stereo
In 7/8: Synths\Effects\pads\Guitars\Piano\Vocals etc > stereo

Variable Headroom Gain Switch: It provides a wide gain-volume range for different applications, offers gain stages between various microphone preamps or DAW interface inputs, and accommodates various source inputs, such as synthesizers or DAWs. Placed after passive SUM BUS (passive mixer) determines main out (total) gain reduction – for different (pre amps) applications – gain stage – volume range. You have a great opportunity to experiment with different gain reductions and determine what sounds better for your mix: 1. Whether it’s with fewer input signals and more amplification. 2. Or the other way around, with more signals and less amplification. Benefits: You can overdrive the summing inputs with different gains to achieve more saturation and warm harmonics.

You can get as many channels and options as you want, so let’s build your gear!

Build time: 10 Working Weekdays after cleared payment

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Selected Studio grade VISHAY DALE military metal-film resistors
In/Out: Stereo Balanced Discrete path
Insertion input resistance: -15dB / -20dB / -25dB (order)
Output impedance 600 -1k ohms balanced
Frequency response: 0-500Khz
Crosstalk 1Khz: -95dB
Signal to Noise rate (SNR): -110dB
TRS wiring: (Tip:HOT/,Ring:COLD/Sleeve:GROUND)
Pure hand made! Hand wired and tested point-to-point!
Laser engraved massive aluminium alloy box

Summing box for Focusrite Scarlett 2i2, Scarlett 2i4, Scarlett 4i4, Scarlett 8i6, Scarlett 18i8, Scarlett 18i20, Clarett 2Pre, Clarett 4Pre, Clarett 8Pre, Clarett+ 2Pre, Clarett+ 4Pre, Clarett+ 8Pre, PreSonus AudioBox USB 96, AudioBox iOne, AudioBox iTwo, Studio 24c, Studio 26c, Studio 68c, Studio 1810c, Studio 1824c, Quantum 2626, Quantum 4848, Quantum HD 2, Quantum HD 8, Universal Audio Apollo Twin X, Apollo Twin MkII, Apollo x4, Apollo x6, Apollo x8, Apollo x8p, Apollo x16, Apollo Solo, Volt 1, Volt 2, Volt 176, Volt 276, Volt 476, MOTU M2, M4, UltraLite-mk5, 828es, 8pre-es, 16A, 24Ai, 24Ao, 1248, 8D, LP32, Monitor 8, Steinberg UR12, UR22C, UR24C, UR44C, UR816C, AXR4, RME Babyface Pro, Babyface Pro FS, Fireface UCX, Fireface UFX II, Fireface UFX+, Fireface 802, ADI-2 Pro FS, Apogee Duet 3, Quartet, Ensemble, Element 24, Element 46, Element 88, Symphony Desktop, Symphony I/O Mk II, Audient iD4, iD14, iD22, iD44, EVO 4, EVO 8, EVO 16, Behringer UM2, UMC22, UMC202HD, UMC204HD, UMC404HD, UMC1820, Native Instruments Komplete Audio 1, Komplete Audio 2, Komplete Audio 6 Mk2, SSL 2, SSL 2+, Tascam US-1×2, US-2×2, US-4×4, US-16×08, Series 102i, Series 208i, Avid Mbox Studio, Mbox 2, Mbox