12 Input Summing Mixer – 8 DSUB + 4 TRS input 4 Mono + Headroom + Master Insert


12 input Summing mixer for DAW Synth + Keyboards + Summing mixer for UAD Audio Apollo X8p + RME Fireface UFX II Keyboard + Analog Sampler

12 channel input Balanced
8 in DSUB Analog Tascam 1-8
4 in TRS balanced 9-12
2 out TRS balanced
Master Insert SND/RET by TRS balanced via switch
Variable gain switch -6/-16dB
4 x Mono switch per channel

STM – Stereo to Mono Switch: It provides an extra stable Real Analog Mono Base for your mix (on monos like Kick/Bass/MainVox/Snare and so on), saving precious digital-to-analog (DA) channels (so you don’t waste stereo L/R for a mono instrument), and offers superior separation and 3D depth for the rest of your stereo instruments. 

Variable Headroom Gain Switch: It provides a wide gain-volume range for different applications, offers gain stages between various microphone preamps or DAW interface inputs, and accommodates various source inputs, such as synthesizers or DAWs. Placed after passive SUM BUS (passive mixer) determines main out (total) gain reduction – for different (pre amps) applications – gain stage – volume range. You have a great opportunity to experiment with different gain reductions and determine what sounds better for your mix: 1. Whether it’s with fewer input signals and more amplification. 2. Or the other way around, with more signals and less amplification. Benefits: You can overdrive the summing inputs with different gains to achieve more saturation and warm harmonics.

MONO PER Channel switches: It provides an extra stable real analog mono base for your mix (mono Kick/Bass), saving precious digital-to-analog (DA) channels (so you don’t waste stereo L/R on mono instruments), and offers superior separation and 3D depth for additional stereo instrument tracks.

With this feature, you can choose to convert ‘SEPARATELY’ by selecting either the Hard Panned Left or Hard Panned Right input signals to the center position, or you can leave them as hard panned L or R (stereo)

Master Insert Send Return Switches: Enables sending the master stereo L/R signal to external processors like EQ, compressor, or limiter, and then returning it to the master output for printing or recording. The ‘Master SND/RET’ is placed before the master out, with 100% of the signal routed to the send. The system requires two stereo switches for signal isolation and control: The first switch enables sending to external processors (routes the master to SND). The second switch enables the return from external processors (routes the return to the master out).

You can get as many channels and options as you want, so let’s build your gear!

Build time: 10 Working Weekdays after cleared payment

Do not find your summing mixer? Tell me your DAW Interface Type! Do not find your Gear? Don’t worry! Just inform me about your requirements!

  • Selected VISHAY DALE military metal-film resistors
  • Full discrete dual stereo signal topology
  • In/Out:Balanced, floating to ground
  • Output impedance 600-1k ohms balanced
  • Output level: -10 dB / – 30dB nominal
  • Frequency response: 0-500Khz
  • Crosstalk 1Khz: -95dB
  • Signal/ Noise rate: -110dB
  • TRS wiring: Tip: HOT –  Ring: COLD – Sleeve: GROUND
  • Pure hand made! Hand wired and tested point-to-point!
  • Laser engraved massive aluminium alloy box!

UAD Apollo, Apogee, Arturia, Behringer, Focusrite, M-Audio, Motu, PreSonus, Prism, RME, Roland, SSL, Steinberg, Tascam, OTHER let me know






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