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10 Input Summing Mixer – LittleOne Wide 10×2 TRS – 2xSTM Variable Headroom Switch

265.00 

Boost your Digital Audio Workstation (DAW) Interface by integrating a genuine 10 Input Summing Mixer, getting a rich 3D analog-console-esque audio experience. Improve your studio setup with a top-tier, balanced, high-fidelity signal path for warmth and studio-grade quality.

You can get as many channels and options as you want, so let’s build your gear!

Build time: 10 Working Weekdays after cleared payment

Dual balanced discrete stereo signal path

  • Input: 10 ch TRS 1/4″ Balanced
  • Output:  2 x TRS Balanced L/R
  • 2 x Stereo to4 Mono on 1/2 stereo input read more…
  • -10/-20dB variable headroom gain switch (choose different value)
  • *contact for different gain values
  • Unique Name engrave (let me know)

STM – Stereo to Mono Switch: It provides an extra stable Real Analog Mono Base for your mix (on monos like Kick/Bass/MainVox/Snare and so on), saving precious digital-to-analog (DA) channels (so you don’t waste stereo L/R for a mono instrument), and offers superior separation and 3D depth for the rest of your stereo instruments. This feature turns L/R inputs ‘COMBINED’ (two hard-panned L/R inputs) into an absolutely centered mono signal (1 x stereo to 2 mono). For example, ‘SNARE’ on channel 1 (left), ‘KICK’ on channel 2 (right). Mono instruments in the DAW sequencer (Steinberg cubase, pro tools, flstudio, reaper, logic pro, Ableton etc.) should place the kick hard left, the bass hard on the right, and so on. Stereo instruments: If you don’t use mono channels in your mix, simply turn down all the mono switches, and you’ll have a fully stereo analog summing mixer with panning options available from the DAW.

In 1: Mono Kick
In 2: Mono Bass
In 3/4: Snare, hats some percs > stereo
In 5/6: Percs\toms\synth blips etc. > stereo
In 7/8: Synths\Effects\pads\Guitars\Piano\Vocals etc > stereo

Variable Headroom Gain Switch: It provides a wide gain-volume range for different applications, offers gain stages between various microphone preamps or DAW interface inputs, and accommodates various source inputs, such as synthesizers or DAWs. Placed after passive SUM BUS (passive mixer) determines main out (total) gain reduction – for different (pre amps) applications – gain stage – volume range. You have a great opportunity to experiment with different gain reductions and determine what sounds better for your mix: 1. Whether it’s with fewer input signals and more amplification. 2. Or the other way around, with more signals and less amplification. Benefits: You can overdrive the summing inputs with different gains to achieve more saturation and warm harmonics.

Selected Studio grade VISHAY DALE military metal-film resistors
In/Out: Stereo Balanced Discrete path
Insertion input resistance: -15dB / -20dB / -25dB (order)
Output impedance 600 -1k ohms balanced
Frequency response: 0-500Khz
Crosstalk 1Khz: -95dB
Signal to Noise rate (SNR): -110dB
TRS wiring: (Tip:HOT/,Ring:COLD/Sleeve:GROUND)
Pure hand made! Hand wired and tested point-to-point!
Laser engraved massive aluminium alloy box

Analog Studio Summing Mixer – Ideal for linking synthesizers, samplers, and rhythm boxes and routing the mix to a preamplifier for master processing. Compatible with UAD Apollo, Focusrite, Motu, M-Audio, Presonus, Behringer, Roland, Tascam, RME, SSL, Apogee, and Arturia MiniFuse or other audio studio interface sound cards (let me know yours)

SOUND CARD?

UAD Apollo, Apogee, Arturia, Behringer, Focusrite, M-Audio, Motu, PreSonus, Prism, RME, Roland, SSL, Steinberg, Tascam, OTHER let me know

VARIABLE HEADROOM

-6/-16dB, -10/-20dB, -15/-25dB, -20/-30dB

CUSTOM NAME?

YES, NO THANKS

BUILD TIME

10 DAYS

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