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8-Input Studio Summing Mixer – Monitor Switch – DSUB, TRS, or XLR (Select Connection Type) 1x Stereo to 2, or 2x Mono per channel switch

230.00 260.00 

Please Select All Options!

Do not find your summing mixer? Tell me your DAW Interface Type – Ask to build Yours!

Boost your Digital Audio Workstation (DAW) Interface by integrating a genuine Analog Summing Mixer, getting a rich 3D analog-console-esque audio experience. Improve your studio setup with a top-tier, balanced, high-fidelity signal path for warmth and studio-grade quality.

You can get as many channels and options as you want, so let’s build your gear!

Build time: 10 Working Weekdays after cleared payment

Analog Studio Summing Mixer – Ideal for linking synthesizers, samplers, and rhythm boxes and routing the mix to a preamplifier for master processing. Compatible with UAD Apollo, Focusrite, Motu, M-Audio, Presonus, Behringer, Roland, Tascam, RME, SSL, Apogee, and Arturia MiniFuse or other audio studio interface sound cards (let me know yours)

This summing box mixer unit is suitable for connecting synthesizers, samplers, and rhythm boxes, and then routing the combined output to a preamplifier for master processing.

DIR (direct) Input to Output or Input to Mixer switch: Direct Monitoring – Input 1/2 to Output – Monitor switch. You don’t have to unplug your interface monitor in everyday work; you can keep it connected at all times to the summing mixer. The rest inputs are still active, you can mute them from DAW.
Down Position: corresponds to the regular summing mixer input (analog mixing)
Up Position: directs the (interface monitor) signal straight to the Master Outputs without any reduction in signal volume, as it is sent to the input.

STM – Stereo to Mono Switch: It provides an extra stable Real Analog Mono Base for your mix (on monos like Kick/Bass/MainVox/Snare and so on), saving precious digital-to-analog (DA) channels (so you don’t waste stereo L/R for a mono instrument), and offers superior separation and 3D depth for the rest of your stereo instruments. This feature turns L/R inputs ‘COMBINED’ (two hard-panned L/R inputs) into an absolutely centered mono signal (1 x stereo to 2 mono). For example, ‘SNARE’ on channel 1 (left), ‘KICK’ on channel 2 (right). Mono instruments in the DAW sequencer (Steinberg cubase, pro tools, flstudio, reaper, logic pro, Ableton etc.) should place the kick hard left, the bass hard on the right, and so on. Stereo instruments: If you don’t use mono channels in your mix, simply turn down all the mono switches, and you’ll have a fully stereo analog summing mixer with panning options available from the DAW.

MONO PER Channel switches: It provides an extra stable real analog mono base for your mix (mono Kick/Bass), saving precious digital-to-analog (DA) channels (so you don’t waste stereo L/R on mono instruments), and offers superior separation and 3D depth for additional stereo instrument tracks. With this feature, you can choose to convert ‘SEPARATELY’ by selecting either the Hard Panned Left or Hard Panned Right input signals to the center position, or you can leave them as hard panned L or R (stereo)

In 1: Mono Kick
In 2: Mono Bass
In 3/4: Snare, hats some percs > stereo
In 5/6: Percstomssynth blips etc. > stereo
In 7/8: SynthsEffectspadsGuitarsPianoVocals etc > stereo

Variable Headroom Gain Switch: It provides a wide gain-volume range for different applications, offers gain stages between various microphone preamps or DAW interface inputs, and accommodates various source inputs, such as synthesizers or DAWs. Placed after passive SUM BUS (passive mixer) determines main out (total) gain reduction – for different (pre amps) applications – gain stage – volume range. You have a great opportunity to experiment with different gain reductions and determine what sounds better for your mix: 1. Whether it’s with fewer input signals and more amplification. 2. Or the other way around, with more signals and less amplification. Benefits: You can overdrive the summing inputs with different gains to achieve more saturation and warm harmonics.

Selected Studio grade VISHAY DALE military metal-film resistors
In/Out: Stereo Balanced Discrete path
Insertion input resistance: -15dB / -20dB / -25dB (order)
Output impedance 600 -1k ohms balanced
Frequency response: 0-500Khz
Crosstalk 1Khz: -95dB
Signal to Noise rate (SNR): -110dB
TRS wiring: (Tip:HOT/,Ring:COLD/Sleeve:GROUND)Pure hand made! Hand wired and tested point-to-point!
Laser engraved massive aluminium alloy box – DSUB TRS XLR connectors (choose)




UAD Apollo, Apogee, Arturia, Behringer, Focusrite, M-Audio, Motu, PreSonus, Prism, RME, Roland, SSL, Steinberg, Tascam, OTHER let me know


1 x Stereo to 2 Mono, 2 x Mono per ch






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