8×4 Analog Summing Mixer Box for Any 8-Channel DAW Audio – TRS I/O – Universal Interface Compatibility with Steinberg, UAD, Focusrite, MOTU, PreSonus, RME, Apogee, Audient, Behringer, Native Instruments, SSL, Tascam, Avid and so on…
239.00 €
UNIVERSAL 8-CHANNEL ANALOG SUMMING BOX – WORKS WITH ANY DAW INTERFACE!
Pro Tip: Push the instruments into the summing mixer at a higher level until you start hearing a subtle pleasant harmonic distortion. This will add warmth, depth, and better separation to your mix, giving it a more professional, polished sound—just like a finished record. The Headroom provides a safe place for transients, ensuring wide separation, clarity and punch in your mix.
The summing box is compatible with various interfaces such as Steinberg UR824, Focusrite, PreSonus, UAD Universal Audio, MOTU, RME, Apogee, Audient, Behringer, Native Instruments, Solid State Logic (SSL), Tascam, Avid, and many others. Summing for Pro Tools, Logic Pro, Ableton Live, FL Studio, Cubase, Studio One, Reaper, Bitwig Studio, Reason, Digital Performer, Cakewalk by BandLab, Nuendo, Mixcraft, Tracktion Waveform, Samplitude, Ardour, Renoise, GarageBand, LMMS and so on.
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Upgrade your DAW Interface’s Sound Card with 8 Ch Input Passive Summing Mixer and get the warm analog-console-like sound. Stereo Balanced studio grade high quality warm signal path.
STM – Stereo or Mono Input Switch: It provides an extra stable Real Analog Mono Base for your mix (on monos like Kick/Bass/MainVox/Snare and so on), saving precious digital-to-analog (DA) channels (so you don’t waste stereo L/R for a mono instrument), and offers superior separation and 3D depth for the rest of your stereo instruments. This feature turns L/R inputs ‘COMBINED’ (two hard-panned L/R inputs) into an absolutely centered mono signal (1 x stereo to 2 mono). For example, ‘SNARE’ on channel 1 (left), ‘KICK’ on channel 2 (right). Mono instruments in the DAW sequencer (Steinberg cubase, pro tools, flstudio, reaper, logic pro, Ableton etc.) should place the kick hard left, the bass hard on the right, and so on. Stereo instruments: If you don’t use mono channels in your mix, simply turn down all the mono switches, and you’ll have a fully stereo analog summing mixer with panning options available from the DAW. See documentation and audio examples…
Mono Mode Routing from DAW:
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In 1: Mono Kick
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In 2: Mono Bass
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In 3/4: Snare, hi-hats, some percussion → Stereo
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In 5/6: Percussion, toms, synth blips, etc. → Stereo
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In 7/8: Synths, effects, pads, guitars, piano, vocals, etc. → Stereo
Panning from DAW is available for 3/4, 5/6, and 7/8 stereo inputs.
Stereo Mode Routing from DAW:
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In 1/2: Main Stereo tracks → Stereo
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In 3/4: Kick, Snare, hi-hats, some percussion → Stereo
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In 5/6: Percussion, toms, synth blips, etc. → Stereo
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In 7/8: Synths, effects, pads, guitars, piano, vocals, etc. → Stereo
Panning from DAW is available for all stereo inputs.
Input to Output or Input to Mix Switch – Select your desired stereo input from the drop-down menu.
Enables direct monitoring from DAW Interface by routing input either to the mixer or straight to the master outputs. No need to unplug monitor cables – keep your interface connected to the summing mixer at all times. You don’t have to unplug your interface monitor in everyday work; you can keep it connected at all times to the summing mixer.
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Down Position: Input signal is routed to the summing mixer for analog mixing (standard summing operation).
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Up Position: Input signal is sent directly to the master outputs at full volume.
Important:
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the other summing channels remain active. These channels need to be muted in the DAW.
You can get as many channels and options as you want, so let’s build your gear!
Build time: 10 Working Weekdays after cleared payment
Do not find your summing mixer? Tell me your DAW Interface Type! Do not find your Gear? Don’t worry! Just inform me about your requirements!
Selected Studio grade VISHAY DALE military metal-film resistors
In/Out: Stereo Balanced Discrete path
Insertion input resistance: -15dB / -20dB / -25dB (order)
Output impedance 600 -1k ohms balanced
Frequency response: 0-500Khz
Crosstalk 1Khz: -95dB
Signal to Noise rate (SNR): -110dB
TRS wiring: (Tip:HOT/,Ring:COLD/Sleeve:
Pure hand made! Hand wired and tested point-to-point!
Laser engraved massive aluminium alloy box
Summing box for Focusrite Scarlett 2i2, Scarlett 2i4, Scarlett 4i4, Scarlett 8i6, Scarlett 18i8, Scarlett 18i20, Clarett 2Pre, Clarett 4Pre, Clarett 8Pre, Clarett+ 2Pre, Clarett+ 4Pre, Clarett+ 8Pre, PreSonus AudioBox USB 96, AudioBox iOne, AudioBox iTwo, Studio 24c, Studio 26c, Studio 68c, Studio 1810c, Studio 1824c, Quantum 2626, Quantum 4848, Quantum HD 2, Quantum HD 8, Universal Audio Apollo Twin X, Apollo Twin MkII, Apollo x4, Apollo x6, Apollo x8, Apollo x8p, Apollo x16, Apollo Solo, Volt 1, Volt 2, Volt 176, Volt 276, Volt 476, MOTU M2, M4, UltraLite-mk5, 828es, 8pre-es, 16A, 24Ai, 24Ao, 1248, 8D, LP32, Monitor 8, Steinberg UR12, UR22C, UR24C, UR44C, UR816C, AXR4, RME Babyface Pro, Babyface Pro FS, Fireface UCX, Fireface UFX II, Fireface UFX+, Fireface 802, ADI-2 Pro FS, Apogee Duet 3, Quartet, Ensemble, Element 24, Element 46, Element 88, Symphony Desktop, Symphony I/O Mk II, Audient iD4, iD14, iD22, iD44, EVO 4, EVO 8, EVO 16, Behringer UM2, UMC22, UMC202HD, UMC204HD, UMC404HD, UMC1820, Native Instruments Komplete Audio 1, Komplete Audio 2, Komplete Audio 6 Mk2, SSL 2, SSL 2+, Tascam US-1×2, US-2×2, US-4×4, US-16×08, Series 102i, Series 208i, Avid Mbox Studio, Mbox 2, Mbox
SOUND CARD? | UAD Apollo, Apogee, Arturia, Behringer, Focusrite, M-Audio, Motu, PreSonus, Prism, RME, Roland, SSL, Steinberg, Tascam, OTHER let me knoww |
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SELECT STEREO INPUT FOR MIX OR DIRECT OUT (SWITCH) | 1/2, 3/4, 5/6, 7/8 |
CUSTOM NAME? | YES, NO THANKS |
BUILD TIME | 12 DAYS |
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